That's Sister Rosetta Tharpe. Wikipedia notes:
Sister Rosetta Tharpe (March 20, 1915 – October 9, 1973) was an American singer, songwriter, guitarist, and recording artist. She attained popularity in the 1930s and 1940s with her gospel recordings, characterized by a unique mixture of spiritual lyrics and rhythmic accompaniment that was a precursor of rock and roll. She was the first great recording star of gospel music and among the first gospel musicians to appeal to rhythm-and-blues and rock-and-roll audiences, later being referred to as "the original soul sister" and "the Godmother of rock and roll". She influenced early rock-and-roll musicians, including Little Richard, Johnny Cash, Carl Perkins, Chuck Berry, Elvis Presley and Jerry Lee Lewis.
Tharpe was a pioneer in her guitar technique; she was among the first popular recording artists to use heavy distortion on her electric guitar, presaging the rise of electric blues. Her guitar playing technique had a profound influence on the development of British blues in the 1960s; in particular a European tour with Muddy Waters in 1964 with a stop in Manchester on 7 May is cited by prominent British guitarists such as Eric Clapton, Jeff Beck, and Keith Richards.
Willing to cross the line between sacred and secular by performing her music of "light" in the "darkness" of nightclubs and concert halls with big bands behind her, Tharpe pushed spiritual music into the mainstream and helped pioneer the rise of pop-gospel, beginning in 1938 with the recording "Rock Me" and with her 1939 hit "This Train". Her unique music left a lasting mark on more conventional gospel artists such as Ira Tucker, Sr., of the Dixie Hummingbirds. While she offended some conservative churchgoers with her forays into the pop world, she never left gospel music.
Tharpe's 1944 release "Down by the Riverside" was selected for the National Recording Registry of the U.S. Library of Congress in 2004, which noted that it "captures her spirited guitar playing and unique vocal style, demonstrating clearly her influence on early rhythm-and-blues performers" and cited her influence on "many gospel, jazz, and rock artists". ("Down by the Riverside" was recorded by Tharpe on December 2, 1948, in New York City, and issued as Decca single 48106.) Her 1945 hit "Strange Things Happening Every Day", recorded in late 1944, featured Tharpe's vocals and electric guitar, with Sammy Price (piano), bass and drums. It was the first gospel record to cross over, hitting no. 2 on the Billboard "race records" chart, the term then used for what later became the R&B chart, in April 1945. The recording has been cited as a precursor of rock and roll, and alternatively has been called the first rock and roll record. On December 13, 2017, Tharpe was chosen for induction into the Rock and Roll Hall of Fame as an Early Influence.
Here's C.I.'s "Iraq snapshot:"
Again you refuse to find qualified women for guests but you get a disgraced 'journalist' on as a guest?
"These look like obvious cases of plagiarism to me," Clark says. "The fact that Posner at times changes a word or two is not nearly enough to qualify as paraphrase."
New Times sent Posner an email detailing all of the new problems we found in Miami Babylon. He didn't respond to the email or to multiple phone messages.
Posner, on his blog, defends his earlier transgressions by arguing "there are degrees of plagiarism" and that his is less serious because he accidentally copied other people's work.
"Mine is not a case like Jayson Blair or Stephen Glass where there was either wholesale copying from others or in some instances fabrication," Posner wrote March 17. "Any sentences copied by me from published sources were never done with the hope or expectation I'd trick others and get away with it."
Posner, a San Francisco native and Berkeley grad, landed a job when he was just 23 years old with the blue-blood New York law firm Cravath, Swaine & Moore, according to his Simon & Schuster bio. By 1986, he had left to publish his first book, a biography of Nazi death doctor Josef Mengele.
Posner has been journalism royalty since 1993, when he made best-seller lists and was a Pulitzer finalist for his fifth book, Case Closed, which attempts to prove Oswald acted alone in killing JFK. Since Case Closed, Posner has added to his resumé six more nonfiction works on topics from 9-11 to Martin Luther King Jr.'s assassination.
In 2004, records show, Posner and his wife Trisha bought a $385,000 condo in SoBe's South of Fifth neighborhood.
When Tina Brown started her Daily Beast website in 2008, she hired Posner as chief investigative reporter. His writing included local stories about Fontainebleau heir Ben Novack Jr.'s death and national pieces on Michael Jackson's last hours. His 454-page book about the sordid history of his new hometown, Miami Babylon, debuted to positive reviews last year.
Everything began unraveling this past February 5, when Slate's media columnist, Jack Shafer, nailed him for stealing seven sentences from the Miami Herald in a Daily Beast piece. Posner said he was "horrified," apologized, and promised it was "inadvertent."
That's when the doctoral student, Gelembiuk, became involved. He's an unlikely journalistic sleuth. A 48-year-old who studies zoology at the University of Wisconsin, he teaches biology and researches invasive species.
For years, Gelembiuk has been using a website called Turnitin.com to catch students who plagiarize. In his experience, Gelembiuk says, plagiarists "never do it just once." After reading Shafer's column, he didn't buy Posner's apology. So he ran a half-dozen of the author's Daily Beast stories through the plagiarism site — as well as through software called Viper and Copyscape — and quickly came up with 11 more lifted sentences in three other Beast stories.
Shafer wrote another column, and on February 10, the Daily Beast accepted Posner's resignation. He again apologized, blaming the "warp speed of the Net" for his problems. He later explained he'd stolen only "the most mundane information." Shafer didn't buy it.
"You don't have to rob from Proust to qualify as a low-down plagiarist," Shafer wrote. "Even mundane information takes time and energy to collect and type up — sometimes more time and energy than it takes to toss off an original sonnet."
But even that excuse went out the window March 16, when New Times published Owen's discovery of eight stolen passages in Miami Babylon. Posner again admitted he stole them. But again he had a scapegoat: a new system of "trailing endnotes" that led him to undercredit Owen's work.
Now comes the new evidence turned up by New Times and Gelembiuk. For Miami Babylon, it seems Posner also borrowed from this publication, PBS, the Herald, Ocean Drive, and Men's Vogue. The pilfering seems to include both stand-alone sentences and longer passages.
Fourteen of the new problems were found by Gelembiuk, who purchased an ebook of Miami Babylon to run it through plagiarism software when Posner's second apology also rang hollow. In our own review, we found two passages that seem to be lifted from one New Times story.
As the Iraqi government now speaks of shuttering displacement camps where tens of thousands of these internal refugees have been sheltering since then and returning them to their villages, the prospect of retribution back home awaits.
“The Islamic State is gone, and we’re still living in their wreckage,” said Kadhim al-Khazaraji, a local Shiite Muslim sheikh as his gaze settled on a house that had collapsed like a half-melted candle. “If I see someone here who was with ISIS back then, I will kill them. They killed my family.”
This hostility represents one of the largest obstacles to the government’s plan, announced in fall, to move ahead with the camp closures as part of a program of “safe and voluntary return.” Prime Minister Mustafa al-Kadhimi has made the shutting of the camps one of his marquee promises.